Hello! This one is special.
We got this piano from a church down the road one day a few years back at the time of writing. It was in the grass next to the lot, and I played it a few times before deciding it should come home with us. Learning from their staff that it was just being given away or tossed, we left and returned shortly with a truck.
This piano still resides in my old bedroom at the parents house, while I am away for college. To be honest, I didn’t play it much while I lived there. But I dearly missed it after I moved (naturally), therefore one time upon my return I brought with me a phone and a pair of AKG P170. In fact I’ve tried to sample this piano at least 3 or 4 different times, all with wildly different goals and capture intent.
So I present to you The Loud Piano.
It’s an amalgamation of many different sampling takes of one instrument, and sounds just as goofy and charming as the real thing. There are note presses and releases, key presses and releases, sustain pedal presses and releases, plucks, and sustain pedal excited or impulse and chord excited sympathetic resonance layers. There are as many as up to 17 and as little as 1 velocity layer(s) depending on the group and note. Just about the only thing it doesn’t have is any round robins, but with AET layers and large velocity variance I didn’t really feel like this needed it, especially regarding memory performance.
I could try to explain exactly what the “Oxygen” and “Reso.” knobs do, but they’re best understood via twiddling with them. They are generally my attempt at simulating different unusual forms of sympathetic resonance. The noise floor can get quite high upon very large stacks of voices, especially if using copious amounts of Phone mic layers, but never unusable — and I often turn to this as a sort of desired “characteristic” of the sound.
Anyway, I’ve been working on this library for a really long time. It’s been giving me all sorts of scripting issues that still haven’t been entirely even resolved truthfully, but it has finally come to a stable point where every feature I wanted is now functioning, and many of the poorly executed experimental layers have been pruned away, and samples tidied.
Do enjoy, these samples will of course work in any sampler but I HIGHLY recommend using it with the included Kontakt instrument, for all the functioning release and sustain scripting, as well as group knobs and interface.
Kontakt Version 5.8.1 (R43) or Higher required to use included .nki
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