I bought this bird whistle for 10 RMB(1.2696 EUR) nearby Lingyin Temple in Hangzhou, China.
When I got home, searched on Taobao and found it just worth 0.26 RMB (EUR 0.03301). I was like ….what the f**k!
Well, It’s still a bird whistle bought from Lingyin Temple. Some believe it brings fortune and luck to users.
In October 1, I heard the seller played it, found it sounds funny which made me purchase for it.
I used to have a bird whistle when I was around 4 or 5. It was made by bamboo. But I lost it after my family moved out. Now I’m 33, I get a new one, made by plastic, still sounds alike the previous one.
They are somewhere the same although made by different material, both work well after filled in water.
I recorded it and made it into Kontakt Library after I got home. It’s recorded in my private studio.
Two microphones used, Blue Bird SL and Rode NT5.
2 Round Robins, 3 velocity layers, and two different articulations which you will see.
It’s hard to play with it. It will soon get out of tune if blow it constantly on one note.But it sounds well while sliding it. So I made two versions, one for legato, one for poly.
I tried to tune it , but it will get lower if you play one note for a long time. I think it still sounds nice, can be used into funny film scene or lofi music.
Leave a review to let others know what you thought of the instrument!
A Simple instrument with a deep interface
Lots to like about this whistle. Not only is it instantly evocative, it also sounds great and is instantly playable. The interface is very straightforward, but offers as much control over the sound as you could possibly wish for. Someone did a really spectacular job here. This is the level one expects from commercially available instruments, and contributions like this really raise the bar for Piano Book samples.
Near perfect quality!
This instrument could easily be a premium one if it didn't have this one problem: The CC1 is mislabeled as Dynamics, whereas it should be Expression. The actual dynamics are controled by the velocity, and they sound very nice and indeed very dynamic. This "problem" makes it less playable, and it's a shame because the velocity layers are stunning. I would very much prefer though an actual dynamic crossfade for CC1 and Expression in CC11 as in a typical Spitfire fashion. I also wish that the GUI didn't feature the default stupid Kontakt knobs and labels, as they take away all the magic that the instrument has to offer. You will find tons of controls though, including two mics that can be panned seperately for a better stereo image. You can also set the attack and release which can turn this into an awesome pad, especially if you combine it with the nice reverb and room knobs that come with it. There is also the Legato patch which also offers portamento, a great addition to see on a free instrument. It works well if you don't do super big jumps. Overall this is a great instrument and I highly recomend it!